The Light Between Oceans (2016)

★ 7.1 2h 13m 1,416 votes IMDb
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A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from an adrift rowboat.

The Light Between Oceans

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Cast

Michael Fassbender
Michael Fassbender as Tom Sherbourne Age 49 · Heidelberg, Baden-Württemberg, West Germany [now Germany] Michael Fassbender (German pronunciation:[ˈmɪçaːʔeːl 'fasbɛndɐ]; born 2 April 1977) is a German-Irish actor. His accolades include nominations for two Academy Awards, four British Academy Film Awards ...
Alicia Vikander
Alicia Vikander as Isabel Sherbourne Age 37 · Gothenburg, Västra Götalands län, Sweden Alicia Amanda Vikander (born 3 October 1988) is a Swedish actress. She is the recipient of various accolades, including an Academy Award, and nominations for two Golden Globe Awards and three British...
Rachel Weisz
Rachel Weisz as Hannah Roennfeldt Age 56 · Westminster, London, England, UK Rachel Hannah Weisz (/vaɪs/; born 7 March 1970) is an English actress. Known for her roles in independent films and blockbusters, she has received several awards, including an Academy Award, a BAFTA A...
Bryan Brown
Bryan Brown as Septimus Potts Age 78 · Sydney, New South Wales, Australia Bryan Neathway Brown (born 23 June 1947) is an Australian actor. He has performed in over eighty film and television projects since the late 1970s, both in his native Australia and abroad. Notable fil...
Jack Thompson
Jack Thompson as Ralph Addicott Age 85 · Sydney, New South Wales, Australia ​From Wikipedia, the free encyclopedia. Jack Thompson, AM (born 31 August 1940) is an Australian actor and one of the major figures of Australian cinema. He was educated at the University of Queensla...
Caren Pistorius
Caren Pistorius as Adult Lucy-Grace Age 35 · Rustenburg, South Africa Caren was born and raised in Rustenberg, South Africa with her three older siblings. Her family immigrated to New Zealand when she was 12 where she began acting in high school theatre productions. She...

Audience Reviews

Reno 8/10 Mar 26, 2017
**A tale of imbalance between love and grief.**

The film was based on the Australian novel of the same name. It was a recent book, but a period drama about a World War I veteran who just returned home. So I feel this film was made too soon. Because it seems so classic, only if we had given some time to pick up its popularity. I mean the literature version which at least needed a decade of freedom before heading to the big screen. You know, this same kind of tales from the past is what now we consider epic, which looks even better in the cinema. Anyway, this film was good, but the future adaptations will be much more effective for its viewers.

From the director of 'The Place Beyond the Pines' who also wrote for the screen. The title gives a brief insight of what kind of a tale it is. But the film was even deeper and darker with emotionally strong. The island where it takes place reminded me 'Song of the Sea', though it is not a fantasy film. If you love views, nature, particularly seaside, this film will suit you.

Besides, the story was much stronger, so the backgrounds will fade away when all your focus fall on its narration. For me the location was the first in the film, the hundred year old setting, away from normal society was the most impressive. It helped to narrate this wonderful drama which contained the message of moral imbalance.

Tom Sherbourne, a World War I hero who relieved from the duty returns home and becomes a lighthouse keeper in an isolated island on the west coast of Australia. He marries a woman whom he has instantly fallen in love. Now they are living far from the human world. A couple of tragedy strikes in their life following one another.

Before coming out of that trauma, they find a baby on a lifeboat that washed up on their island and decides to adopt her. But after some times when they return to the mainland, they come to realise what they're doing is not legally nor morally correct. From onwards how it affects their each others trust, how far it all goes and how the story ends was told in the remaining parts.

> ❝You only have to forgive once. To resent, you have to do it all day, every day.❞

Despite the book was modern, the storytelling was so vintage. I'm talking about the way the plot and characters developed, including how it concludes. For the present generation, if you are familiar with a few similar works from the past, then you would predict this film. I mean not the entire film, but some scenes are at its initial stage can be foreseen. Because sometimes, some developments are called coincidence, but when you have plenty of them, that is called very intentional. That was the only negative of this film. By avoiding them the tale would not be possible. In other way, it could have had stretched even further which are unnecessary details.

I did not care the clichés. For me it was a fine drama. The performances were magnificent. It looked to me an Oscar worthy, from both Michael Fassbender and Alicia Vikander. Even Rachel Weisz was for the supporting role. So tick marks for cast and locations, also the screenplay and score. But the sad part is the film was not received very well, especially by the jackass film critics.

It's not the same case with regular movie goers, particular I think the older and matured people would like it better. But it's not another 'Pride and Prejudice' from the family audience perspective. The events of the film and the outcome can be wrongly judged. Most importantly, it sets in the same world as ours, so everything is the near fact based. So the right and wrongs are inside the film, but not applicable for the filmmaking which I think a well done job.

The post climax scene, the one that comes before the end credit was very good. For this kind of tale, that kind of outro sets a final tone. Despite not an inspiring storyline, all the portrayal in the film was so poetic. Mainly because of slow narration with high influence of sentiments and most of the occasions being dialogueless. The length was not an issue if you like period dramas. Anyway, it was engaging theme, there's always something keeps happening. So I think this is one of the under-rated films of the year. It deserves much better recognition. If you haven't watched it yet, I recommend it and highly if you are 30+.

_8/10_

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