Rob Roy (1995)

★ 6.7 2h 19m 701 votes IMDb
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In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the money is stolen, Rob is forced into a Robin Hood lifestyle to defend his family and honour.

Rob Roy

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Cast

Liam Neeson
Liam Neeson as Robert Roy MacGregor Age 73 · Ballymena, County Antrim, Northern Ireland, UK Liam Neeson (born 7 June 1952) is an Irish actor. He was born in Ballymena, County Antrim, Northern Ireland and educated at Saint Patrick's College, Ballymena Technical College and Queen's University...
Jessica Lange
Jessica Lange as Mary MacGregor Age 77 · Cloquet, Minnesota, USA Jessica Phyllis Lange (born April 20, 1949) is an American actress. She is the 13th actress to achieve the Triple Crown of Acting, having won two Academy Awards, three Primetime Emmy Awards, and a Ton...
John Hurt
John Hurt as John Graham Died 2017 · Chesterfield, Derbyshire, England, UK Sir John Vincent Hurt (January 22, 1940 – January 25, 2017) was an English actor whose career spanned over five decades. He came to prominence for his role as Richard Rich in the film A Man for All Se...
Tim Roth
Tim Roth as Archibald Cunningham Age 64 · London, England, UK Timothy Simon Roth (born May 14, 1961) is an English actor and director. He was among the prominent British actors known as the "Brit Pack". For his performance in Rob Roy (1995), Roth won a BAFTA Awa...
Eric Stoltz
Eric Stoltz as Alan MacDonald Age 64 · Whittier, California, USA Eric Hamilton Stoltz (born September 30, 1961) is an American actor and director. He is known for playing sensitive misfits (Mask, Kicking and Screaming, The Waterdance, Killing Zoe). He was nominated...
Brian Cox
Brian Cox as Killearn Age 79 · Dundee, Scotland, UK Brian Denis Cox (born June 1, 1946) is a Scottish actor. A classically trained Shakespearean actor, he is known for his work on stage and screen. His numerous accolades include two Laurence Olivier Aw...

Audience Reviews

John Chard 8/10 May 21, 2019
Do not think that all sins go unpunished in this life, Montrose.

Rob Roy is directed by Michael Caton-Jones and written by Alan Sharp. It stars Liam Neeson, Jessica Lange, John Hurt, Tim Roth, Eric Stoltz, Andrew Keir and Brian Cox. Music is by Carter Burwell and cinematography by Karl Walter Lindenlaub.

Neeson is Rob Roy MacGregor, an 18th Century Scottish historical figure who borrows £1,000 from the Marquis of Montrose (Hurt) with the plan to improve his clan's way of life. But the money is stolen in transit by the dastardly Archibald Cunnigham (Roth), so unable to repay the loan, Roy is forced to live as an outlaw. From such seeds are legends born.

Beautifully shot on location in parts of the Scottish Highlands, Rob Roy somewhat got lost in the slip stream of Mel Gibson's Braveheart. A shame, for although not as epic or as rousing as Gibson's Oscar grabber, Caton-Jones' film is a different and more reflective type of historical piece. Thematically the film is a play on virtues, in fact it's a trumpet playing fanfare for such. Honesty, honour, loyalty, fidelity and love nestle in nicely with the wonderful landscapes, born out by Sharp's intelligent script. But that's not to say that the director hasn't got the requisite thrust of stirring adventure within, he has, and Rob Roy rewards in that department as well. The films crowning glory is a climatic sword fight, no tricks or hard to believe heroics, just an expertly shot long sequence that's choreographed sublimely by William Hobbs and Robert G. Goodwin. While Carter Burwell's score sits nice with the visual treats - even if the Gaelic strains within the orchestration sound more Irish than Scottish...

Cast work well. Although Neeson looks the part as the robust Roy, there's no need for being dashing here, character calls for strength of mind and body, as well as emotional fortitude with the love of his family, and thus Neeson plays it with ease. Lange, an interesting casting choice as the missus, shorn of make up, yet still naturally sexy, she gives Mary MacGregor believable strength. However, it's undeniably Tim Roth's movie, part effeminate fop, part calculating bastard, his villainous turn as Archibald Cunningham has to be seen to be believed. He was rightly nominated for an Academy Award for his efforts. The rest impact well, Cox and Hurt, great pros as always, and Stoltz too isn't found wanting. There's some iffy accents at times, so what's new there? And if I'm to be churlish, then it often feels wrong in period. Yet they are small complaints in what is otherwise a smart and lovely splinter from the swashbuckling tree. 8/10
Wuchak 7/10 Oct 25, 2020
_**Featuring One of Cinema's Greatest Villains -- EVER**_

"Rob Roy" came out in 1995 with a couple other heroic swordplay films: "Braveheart" and "First Knight." I prefer "Rob Roy" to "Braveheart," even though the two films shouldn't really be compared since "Rob Roy" focuses on the conflict of individuals in Old Scotland and "Braveheart" focuses more on whole armies battling.

The location cinematography of the Scottish Highlands is breathtaking (and superior to "Braveheart"). Liam Neeson and Jessica Lange are fine in the roles of Rob Roy and his wife. The sword-fighting (between individuals) ranks with the best in cinematic history. The film also possesses a very realistic vibe -- no anachronisms or campy humor here; the pic really helps one realize what life was like in rural Scotland 300 years ago.

What works best, to my mind, is Tim Roth's exceptional performance as Rob Roy's foppish-but-deadly nemesis. This is a villain you love to loathe. The Roth character is so foppish that he appears somewhat effeminate; but this is merely disguise as he's actually a ruthless master swordsman. Surely this is one of film's top villains ever (It doesn't sound right to say "good villain," does it?).

On the downside, the story doesn't have a lot of drive from beginning to end unlike, say, "Last of the Mohicans." Your attention may wander at points. Of course this may not be an entirely bad thing in light of the schizophrenic editing of many films post-"Armageddon" (1998). In other words, the leisurely pace can be refreshing.

There are aspects not appropriate for children: Sexual brutality (a rape scene) and vulgarity (a man shoves his fingers up a woman's nightgown); as well as blatant love-making. There are also overt scenes of, believe it or not, urination; many may regard this as needless, but (for me) it helped drive home the point of what everyday life was like back then, e.g. Where do you pee if you're living in a shack out in the hills? Or, in the middle of the night, if there's no upstairs bathroom?

The story's lack of drive prevents "Rob Roy" from attaining true greatness in my mind, but the positive aspects noted above certainly achieve greatness and there are several memorable scenes.

The film runs 2 hours, 19 minutes, and was shot entirely in Scotland.

GRADE: B+
CinemaSerf 6/10 Aug 27, 2023
As a Scot, I tend to look upon the Hollywood treatment of our national history with considerable disdain at the best of times - this is not a film that encourages me to change that philosophy. The general heather and whisky sentiment; the unsophisticated but honourable Scots versus the evil, occupying English is all way to simplistic to be anything more than a romantic adventure drama along the lines of the "Master of Ballantrae". Sure, it's grittier than that - the language more course/authentic (take your pick) but both John Hurt as the turncoat Marquis of Montrose and Tim Roth (who perhaps thinks this is a "Three Musketeers" romp?) camp it up to the point where you wouldn't have put much money on them escaping from a Parisian brothel unscathed; much less raping, pillaging and ruthlessly scheming to supplant Scottish traditions in favour of their new Hanoverian masters. Eric Stolz and Brian Cox's casting is just bizarre! Andrew Keir, wooden as ever, makes some effort as the Duke of Argyll - another supporter of King George. It has the benefits of some stunning scenery and a cracking score from Carter Burwell, but otherwise it is a mediocre costume drama with a cursory nod to a great Scottish hero.

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