Macbeth (2015)

★ 6.4 1h 53m 1,519 votes IMDb
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Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

Macbeth

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Cast

Michael Fassbender
Michael Fassbender as Macbeth Age 49 · Heidelberg, Baden-Württemberg, West Germany [now Germany] Michael Fassbender (German pronunciation:[ˈmɪçaːʔeːl 'fasbɛndɐ]; born 2 April 1977) is a German-Irish actor. His accolades include nominations for two Academy Awards, four British Academy Film Awards ...
Marion Cotillard
Marion Cotillard as Lady Macbeth Age 50 · Paris, France Marion Cotillard (born September 30, 1975) is a French actress, film producer, singer, songwriter, and environmentalist. Known for her roles in independent films and blockbusters, she has received var...
Paddy Considine
Paddy Considine as Banquo Age 52 · Burton upon Trent, Staffordshire, England, UK Patrick George Considine (born 5 September 1973) is an English actor, director, screenwriter and musician. He is known for playing antiheroes in independent films. He has received two British Academy...
Sean Harris
Sean Harris as Macduff Age 60 · London, England, UK Sean Harris (born 1966, Bethnal Green, London, England) is a British actor, best known for his film roles in 24 Hour Party People (2002), Prometheus (2012), The King (2019), The Green Knight (2021), S...
Jack Reynor
Jack Reynor as Malcolm Age 34 · Longmont, Colorado, USA Jack Reynor (born 23 January 1992) is an Irish actor. His notable roles include the films What Richard Did (2012), Transformers: Age of Extinction (2014), Glassland (2014), Macbeth (2015), Sing Street...
Elizabeth Debicki
Elizabeth Debicki as Lady Macduff Age 35 · Paris, France Elizabeth Debicki (born 24 August 1990) is an Australian actress. After making her feature film debut in A Few Best Men (2011), she appeared in The Great Gatsby (2013) as Jordan Baker. Other roles are...

Audience Reviews

Andres Gomez 6/10 Oct 17, 2016
The directing and the photography are very good. The use of the color, the smoke and fog and the speed of the camera are very well chosen.

Fassbender gives a very good performance, but it swallows everybody else in the movie.

What I don't like that much of this version is that Lady Macbeth almost fades away. Her character is not as important as it should be and, in the end, everything is expected and everything becomes a bit boring.
CinemaSerf 6/10 Apr 13, 2022
The thing about this play is that it is almost impossible to distil it down to two hours. Like most of Shakespeare's tragedies, there is immense richness in the language; in the pace the story develops; in the nuanced characterisations and in the imagery. Sure, the medium can reduce the need for much of the more descriptive narrative but it still takes time for the plotting and scheming; the menace and the power lust to percolate through. Now this isn't a terrible interpretation. Michael Fassbender is reasonable as the ambitious Thane of Glamis. He is informed by three witches after a battle that his accession to King Duncan's throne is assured, and together with his equally determined wife (Marion Cotillard) he sets about expediting that process. Not everyone believes his feigned innocence though, and that means he has to start removing his detractors - not least Banquo (Paddy Considine) and the late king's son Malcolm (an oddly cast Jack Raynor), and it's at this point that their cunning plan begins to unravel. The film looks great, the soundtrack is eerie and effective and the costumes, scenery and lighting really do help to convey something of the real Scottish environment; but again the absence of many significant plot lines - the caveats with the witches' initial prophecy, for example, rob the storyline of much of it's complex potency. The character of Lady Macbeth is underused as an underpinning motivation for her husband's actions and essentially we are just left with a rather straightforward story of power-hungry murder. It is worth watching, but it is also underwhelming.

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