Kill, Baby... Kill! (1966)

★ 7.0 1h 23m IMDb
Sign in to rate this film

A 20th century European village is haunted by the ghost of a murderous little girl.

Kill, Baby... Kill!

Where to Watch

Netflix Netflix Watch
Amazon Prime Video Amazon Prime Video Watch
Disney Plus Disney Plus Watch
Max Max Watch
Hulu Hulu Watch
Paramount Plus Paramount Plus Watch
Apple TV Plus Apple TV Plus Watch
Peacock Peacock Watch
Crunchyroll Crunchyroll Watch
Tubi TV Tubi TV Watch
Pluto TV Pluto TV Watch
Plex Plex Watch

Rent / Buy

Rent

Apple TV Apple TV Rent
Google Play Movies Google Play Movies Rent
Amazon Video Amazon Video Rent
YouTube YouTube Rent
Vudu Vudu Rent
Fandango at Home Fandango at Home Rent

Buy

Apple TV Apple TV Buy
Google Play Movies Google Play Movies Buy
Amazon Video Amazon Video Buy
YouTube YouTube Buy
Vudu Vudu Buy
Fandango at Home Fandango at Home Buy

Audience Reviews

Wuchak 7/10 Aug 07, 2018
Colorful Italian Gothic/Horror from Mario Bava

RELEASED IN 1966 and directed by Mario Bava, "Kill, Baby, Kill" takes place in a Carpathian village in 1907 where Dr. Paul Eswai (Giacomo Rossi-Stuart) arrives to perform an autopsy at the request of the inspector (Piero Lulli). The evidence points to the hamlet being cursed with a mysterious ghost girl that compels those who see her to kill themselves, which the doctor thinks is rubbish; at first anyway. Erika Blanc plays a visiting medical student who assists Eswai while Fabienne Dali appears as the village witch and Giovanna Galletti as a bitter baroness. Luciano Catenacci is on hand as the burgomaster (mayor) and the witch’s lover.

The movie has a colorful and haunting Gothic/Horror ambiance, which can be traced to earlier films like the B&W "The City of the Dead" (aka "Horror Hotel") (1960) and, more so, “The Terror” (1963), which was one of Francis Ford Coppola’s early works, although he only directed part of it. Like those flicks, “Kill, Baby, Kill” features mysterious manors, dilapidated churches, ghosts, cobwebs, witches and bell towers in the mold of Hammer flicks of the era, such as the contemporaneous "Dracula, Prince of Darkness" (1966). As far as spooky MOOD goes, “Kill, Baby, Kill” is superb, but the story isn’t as compelling as “The Terror,” except for the last act. Nevertheless, the movie has influenced many artists and their works.

Rossi-Stuart makes for a stalwart protagonist in the mold of James Bond (looks-wise) while Erika Blanc and Fabienne Dali work well on the other side of the gender spectrum, both striking in different ways.

The title of the film is cheesy and recalls Russ Meyer’s “Faster, Pussycat! Kill! Kill!” from the year before. It was obviously used to give the film a “hip” edge and sell as many tickets as possible. In 1971 it was retitled “Curse of the Living Dead” in the US, which was a 100% improvement. Here are several other sample titles that would be an upgrade, as well as more accurate: “Village of the Laughing Dead”; “Night of the Laughing Dead”; “Child of Vengeance”; “The Ghost at the Window”; “Child Cursed Village”; “Forgotten Daughter”; “Make them Pay”; “Sorceress' Regret”; “Melissa”; and “Melissa’s Curse.”

Okay, now for a few joke titles: “Melissa and her Sissa”; “The Graps of Wrath”; “That Damn Ball” and “Ghost Boy in Drag.” That last one is due to the fact that the ghost girl was played by a boy, one-shot actor Valerio Valeri.

THE MOVIE RUNS 1 hour, 23 minutes and was shot entirely in Rome, Lazio, Italy. WRITERS: Romano Migliorini, Roberto Natale and Bava.

GRADE: B

Similar Movies