Hannah and Her Sisters (1986)

★ 7.5 1h 47m 1,152 votes IMDb
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Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Hannah and Her Sisters

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Cast

Mia Farrow
Mia Farrow as Hannah Age 81 · Los Angeles, California, USA María de Lourdes Villiers "Mia" Farrow (born February 9, 1945) is an American actress, activist, and former fashion model. Farrow has appeared in more than 50 films and won numerous awards, including...
Barbara Hershey
Barbara Hershey as Lee Age 78 · Hollywood, California, USA Barbara Hershey (born Barbara Lynn Herzstein; February 5, 1948) is an American actress. In a career spanning more than 50 years, she has played a variety of roles on television and in cinema in severa...
Dianne Wiest
Dianne Wiest as Holly Age 78 · Kansas City, Missouri, USA Dianne Evelyn Wiest (/wiːst/; born March 28, 1948) is an American actress. She has won two Academy Awards for Best Supporting Actress for 1986's Hannah and Her Sisters and 1994's Bullets Over Broadway...
Woody Allen
Woody Allen as Mickey Sachs Age 90 · The Bronx, New York City, New York, USA Woody Allen (born Allan Stewart Konigsberg; November 30, 1935) is an American screenwriter, film director, actor, comedian, writer, musician, and playwright. Allen's distinctive films, which run the g...
Michael Caine
Michael Caine as Elliot Age 93 · Rotherhithe, London, England, UK Sir Michael Caine CBE (born Maurice Joseph Micklewhite Jr.; 14 March 1933) is a retired English actor. Known for his distinctive South London accent, he has appeared in more than 160 films in a career...
Lloyd Nolan
Lloyd Nolan as Evan Died 1985 · San Francisco, California, USA From Wikipedia, the free encyclopedia. Lloyd Benedict Nolan (August 11, 1902 – September 27, 1985) was an American film and television actor. Among his many roles, Nolan is remembered for originatin...

Audience Reviews

CinemaSerf 7/10 May 30, 2025
“Hannah” (Mia Farrow) is ostensibly the luckier of the three daughters of an erstwhile actress who has a penchant for the bottle and deludes herself into thinking she is still a bit of a boy-magnet! It’s lucky for the family that she is there for her other sisters “Holly” (Dianne Wiest) and “Lee” (Barbara Hershey) don’t have their own problems to seek. The whole thing now plays out like a top-notch radio play with emotionally internecine personas played out to the full as the neuroses thrive, the stereotypes wrestle each other for prominence and poor old Michael Caine finds his “Elliot” - married to “Hannah” - character constantly scratching his head when he isn’t ducking it. Sister “Holly” is a bit of a loose cannon. An under-employed actress who thinks she would be better off catering instead. Just to make matters worse, she hooks up with “Mickey” (Woody Allen). Now here’s a fruit loop if ever you’ve seen one. He used to be married to “Hannah” but now lives day to day convinced that each one is going to be his last! Moreover, his (Jewish) faith has long since gone the way of the dodo, so what will happen to him afterwards? Meantime, “Lee” is sitting waiting to be discovered. A blank canvas of a woman who has no idea what she wants; whom she wants nor where she’s going and on whom “Elliot” is developing one hell of a crush. With all the ingredients of some intellectual slap-stick and a really quite striking cast, this manages to stay the right side of cringeworthy as it develops into an engagingly characterful and frequently quite witty maelstrom that borders, at times, on farce but that never quite takes that route. Caine is a good comedy actor and his laconic style works well as his relationships are put under a spotlight that extends to us questioning which, if any, of these folks could ever be lived with! Sure, there are certain identifiable threads that run through all of Allen’s works, and they are here too - but having assembled a cast that is able to deliver effortlessly and naturally like this allows this film to come across more distinctly than some of his other works. It’s also holding it’s value well. The story and it’s characters have lost little of their punch over the last forty years and this is proof positive that letting a story breathe can work wonders with a good cast. Now I have to go and watch “Jaws: The Revenge” which kept Caine away from the Oscars.

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