Cries and Whispers (1972)

★ 7.9 1h 35m 769 votes IMDb
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As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

Cries and Whispers

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Cast

Liv Ullmann
Liv Ullmann as Maria Age 87 · Tokyo, Japan Liv Johanne Ullmann (born 16 December 1938) is a Norwegian actress and film director. Recognised as one of the greatest European actresses, Ullmann is known for her numerous acclaimed collaborations w...
Ingrid Thulin
Ingrid Thulin as Karin Died 2004 · Sollefteå, Västernorrlands län, Sweden Ingrid Lilian Thulin (Swedish pronunciation: [ˈɪŋːrɪd tɵˈliːn]; 27 January 1926 – 7 January 2004) was a Swedish film actress. Thulin was born in Sollefteå, Ångermanland, northern Sweden, the daughter...
Kari Sylwan
Kari Sylwan as Anna Age 85 · Stockholm, Stockholms län, Sweden ​From Wikipedia, the free encyclopedia Kari Sylwan (born 15 October 1940) is a Swedish actress, dancer and choreographer. Sylwan started as a dancer in 1956 at the Royal Swedish Ballet and at the Cul...
Harriet Andersson
Harriet Andersson as Agnes Age 94 · Stockholm, Sweden Harriet Andersson (born 14 February 1932, Stockholm) is a Swedish actress, known outside Sweden for being part of one of director Ingmar Bergman's stock company. She often played impulsive working cl...
Erland Josephson
Erland Josephson as David Died 2012 · Stockholm, Stockholms län, Sweden Erland Josephson (15 June 1923 – 25 February 2012) was a Swedish actor and author. He was best known by international audiences for his work in films directed by Ingmar Bergman, Andrei Tarkovsky and T...
Georg Årlin
Georg Årlin as Fredrik Died 1992 · Karlskrona, Blekinge län, Sweden Georg Adolf Wilhelm Årlin (30 December 1916 – 27 June 1992) was a Swedish film actor who appeared in 50 films between 1940 and 1988..

Audience Reviews

talisencrw 10/10 May 13, 2016
Though my personal favourite of Bergman's films will always be the first I've seen, for sentimental reasons ('Through a Glass Darkly'), this is outstanding. Essential for all cinephiles. A masterclass of acting, directing and cinematography. A dish to be savoured, exquisitely.
CRCulver 7/10 Aug 26, 2018
Ingmar Bergman's 1972 film <i>Viskningar och rop</i> (Cries and Whispers) was one of the auteur's major achievements of that decade. In a Swedish country house, the dying Agnes (Harriet Andersson) is visited by her two sisters, the sensual and impulsive Karin (Liv Ullmann), and the stern and frigid Maria (Ingrid Thulin). Though ostensibly there to comfort Agnes in her last days, they are essentially just waiting for her to die, as they are too more preoccupied with their unhappy marriages, their mysterious personal feud, and the specifics of dividing up the estate. It falls to Agnes' devoted maid Anna (Kari Sylwan) to provide any human warmth. One of the most emotionally touching aspects of the film is this contrast between the selfless love of a member of a despised underclass and the indifference (or outright disgust) expressed by Agnes' own family.

Bergman had made the transition to colour film with <i>En Pasion</i> of three years earlier, but <i>Viskningar och rop</i> finally exploits its possibilities. Red is ever present on screen, whether in the red wing of the house in which Agnes lies dying, the red transitions between scenes, or the vivid blood that flows in each of the sisters' flashbacks to the decay of their marriages. Sven Nykvist's cinematography is, as always, brilliant. And though one doesn't often think of the makeup artist in a Bergman film, whoever worked on this one deserves praise for making such a glamorous actress as Harriet Andersson (still in her late 30s then and quite glamorous) look convincingly decrepit.

Bergman considered <i>Viskningar och rop</i> one of his two greatest films, along with 1966's <i>Persona</i>. I must say, however, that I have never ranked it so highly. While <i>Viskningar och rop</i> continues to amaze me on every viewing, <i>Viskningar och rop</i> does tend to exhaust its overt symbolism and interpersonal dynamics right away, and I rarely come back to it. Furthermore, I feel Bergman wove too much of this film out of what had become stock gestures for him, such as incestuous siblings, and a man speaking about the need to trust God when he himself has lost faith.
CinemaSerf 6/10 May 28, 2023
There are certainly some very strong performances in this rather downbeat drama from Ingmar Bergman. "Agnes" (Harriet Andersson) is bed-ridden, dying of cancer and being tended by her two sisters "Karin" (Ingrid Thulin); "Maria" (Liv Ullmann) alongside their maid "Anna" (Kari Sylwan). The two sisters are pretty taciturn with each other; neither have particularly happy nor fulfilling marriages and the film uses the decline of "Agnes" as a conduit to reflect on their past lives, loves and on their own relationships. Thulin is particularly effective here, but the undercurrents of resentment between the siblings and their spouses (and the doctor Erland Josephson) are presented with a bleakness that I found all rather sterile. Watching their strife, I could not say that I was immersed with any feeling of involvement in their scenarios. Certainly the acting is penetrative, the intimate (though sometimes quite clunky) moving photography adds richness to the performances; but I found the story to be devoid of much humanity. Bluntly, I just didn't really care for any but the dedicated servant "Anna", who quite possibly loved "Agnes" more than the others put together. The last ten minutes are surreal - and they do finally put some bones onto this story, but until then I struggled with this rather angst-ridden tale of middle-class foibles and values. Maybe when it was made 50 years ago, it had potency. Not so much now.

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