Drifting Clouds (1996)

★ 7.6 1h 37m 199 votes IMDb
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The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.

Drifting Clouds

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Cast

Kati Outinen
Kati Outinen as Ilona Age 64 · Helsinki, Finland Anna Katriina Outinen (born August 17, 1961) is a Finnish actress who has often played leading female roles in Aki Kaurismäki's films. Outinen was born in Helsinki. Having studied under Jouko Turkka...
Kari Väänänen
Kari Väänänen as Lauri Age 72 · Ivalo, Finland Kari Kyösti Väänänen (born 17 September 1953 in Ivalo) is a Finnish actor and director. Domestically he is a member of the Ryhmäteatteri group of actors. He was introduced to international audiences b...
Elina Salo
Elina Salo as Mrs. Sjöholm Died 2025 · Sipoo, Finland From Wikipedia, the free encyclopedia. Elina Salo (born March 9, 1936 in Sipoo, Finland; died November 4, 2025) was a Finnish film, theatre and television actress who has also done work in radio as a...
Sakari Kuosmanen
Sakari Kuosmanen as Melartin Age 69 · Helsinki, Finland Sakari Jyrki Kuosmanen (born 6 September 1956 in Helsinki) is a Finnish singer and actor. He has recorded several solo albums and has also done work with Sleepy Sleepers and Leningrad Cowboys. He appe...
Markku Peltola
Markku Peltola as Lajunen Died 2007 · Helsinki, Finland Markku Peltola (July 12, 1956 – December 31, 2007) was a Finnish actor and musician. He was born in Helsinki and grew up there. He was actively involved in founding and acting with the Telakka Theater...
Matti Onnismaa
Matti Onnismaa as Forsström Age 66 · Nokia, Finland Matti Kalle Onnismaa (born October 21, 1959) is a Finnish actor. He made his leading performance debut in black comedy film Euthanizer (2017). He has also appeared in films such as The Winter War (198...

Audience Reviews

CRCulver 6/10 Aug 14, 2018
The Finnish director Aki Kaurismäki has made several films about the "little people" in society, hardworking folk who have a spot of bad luck and risk being overlooked by the state bureaucracy and business development schemes that are ostensibly there to help them. KAUAS PILVET KARKAAVAT from 1996 (released as "Drifting Clouds" in English-speaking markets) is one such tale of adversity. Ilona (Kati Outinen) and Lauri (Kari Väänänen) are a happy married couple. One day, Lauri loses his job as a tram driver when the cancellation of some routes makes him redundant. Soon after this Ilona, head water of a fancy restaurant, finds the restaurant bought out by new owners who don't need the old staff. We see Lauri and Ilona turned down from one job after another, facing repo men and shady characters taking advantage of their desperation for work, yet in many respects the film is a comedy. Kaurismäki's humour is extremely deadpan, at some points perhaps too subtle for audiences outside Finland, but it's still generally fun and there are some laugh-out-loud moments.

The film has a strong magical realist feel. Part of this is that the film is ostensibly set during the present day, but the characters and many of the interior sets seem to have stepped out of the 1950s. This is a key feature of Kaurismäki's aesthetic and found throughout his work. But also Ilona and Lauri's insistence on making it on their own, without accepting unemployment money from the state, is plausible but somehow not the expected course of events in 1990s Finland. Kaurismäki was to emphasize distrust of the welfare state in his later film MIES VAILLA MENESYYTTA (Man Without a Past), but there he was too heavy-handed in his criticism, while here there's more a tone of quiet nobility than bitterness.

While the happy ending is too much of a deus ex machina, I greatly enjoyed KAUAS PILVET KARKAAVAT. What really drives the film is the quirky face of Kati Outinen, who in spite of all her defeats rolls with the punches and whose eyes maintain boundless optimism, like an adorable stray puppy. Kaurismäki demands deadpan acting, and Outinen has always acted in his films with a deliberately limited range of expression, but one really appreciates how she discovers subtle degrees of deadpanness: her Ilona is vastly different than, say, her role in Kaurismäki's VARJOJA PARATIIISISSA of a few years before. The performance by Markku Peltola as a drunken cook is also memorable. Finally, the film's colour palette is striking, showing a new maturity in design from the already veteran director.

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