Little Caesar (1931)

★ 6.9 1h 19m IMDb

A small-time hood shoots his way to the top, but how long can he stay there?

Little Caesar

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Cast

Edward G. Robinson
Edward G. Robinson as Caesar Enrico 'Rico' Bandello aka 'Little Caesar' Died 1973 · Bucharest, Romania Edward G. Robinson (born Emanuel Goldenberg; December 12, 1893 – January 26, 1973) was a Romanian-born American actor and political activist. Although he played a wide range of characters, he is best...
Douglas Fairbanks Jr.
Douglas Fairbanks Jr. as Joe Massara Died 2000 · New York City, New York, USA Douglas Elton Fairbanks Jr. (December 9, 1909 – May 7, 2000) was an American actor, producer, and decorated naval officer of World War II. He is best-known for starring in such films as The Prisoner o...
Glenda Farrell
Glenda Farrell as Olga Stassoff Died 1971 · Enid, Oklahoma, USA From Wikipedia, the free encyclopedia Glenda Farrell (June 30, 1904 – May 1, 1971) was an American actress of film, television, and theater. She is best known for her role as Torchy Blane in the Warn...
William Collier Jr.
William Collier Jr. as Tony Passa Died 1987 · New York City, New York, USA From Wikipedia, the free encyclopedia William Collier Jr. (born Charles F. Gall Jr., February 12, 1902 – February 5, 1987) was an American film and stage actor who appeared in 89 films. William Coll...
Sidney Blackmer
Sidney Blackmer as Big Boy Died 1973 · Salisbury, North Carolina, USA Sidney Alderman Blackmer (13 July 1895 – 6 October 1973) was an American actor. Blackmer was born and raised in Salisbury, North Carolina. He started off in an insurance and financial business but ga...
Ralph Ince
Ralph Ince as Pete Montana Died 1937 · Boston, Massachusetts, USA From Wikipedia, the free encyclopedia Ralph Ince (January 16, 1887 – April 10, 1937) was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film...

Audience Reviews

John Chard 8/10 Dec 13, 2018
You tell him the cops couldn't get me no other way, so they hired a couple of gunmen.

Rico Bandello quickly rises through the gangster ranks, earning himself the nick-name of Little Caesar. As he sets his sights on the top boss job held by Pete Montana, Rico knows the heat is closing in - fast.

Though not the first gangster picture to hit the big screen, Little Caesar is undeniably one of the genres landmark pictures. Adapted from W.R. Burnett's (High Sierra) Al Capone inspired novel, Little Caesar would go on to influence many of the genre highlights that followed, while in the process typecasting its star and icon, Edward G. Robinson. What is perhaps the first striking thing about viewing the film now is actually just how un-violent it is in context to what would follow it, and yet it never needs to be because this is not just about a violent uprising. With the advent of sound proving to be a winner with the fact that it's set outside of prison walls. The gangster genre by and large up to this point in 1931 consisted of mob characters behind bars, the sight of Rico about town amongst the noisy hustle and bustle surely would have depression jaded cinema goers, director Mervyn LeRoy exploits this by utilising opened the eyes and ears of the paying public.

I wasn't around back then so have no on the spot frame of reference, but the professional critics point to many allegories that reside within Little Caesar's structure. Talk of paranoias and conformities during economic collapse, which are for sure points of reference for those so inclined to analyse and dissect Caesar as a whole. Yet to me it's a gangster picture first and foremost, outlaying the rise and fall of a very dubious man with big ideals above his relatively small social standing. Rico has ruthless violence constantly itching to burst out, add in definite hints of sexual ambiguity and this makes him a troubling yet most intriguing character. That it works so well obviously is down to Edward G. Robinson's portrayal, big bulging eyes and snappy slang phrases (this themselves must have really hit a chord with the viewersback in the day), Robinson gives the performance that so many have imitated over the years, where he probably defined the archetype in the process.

It does look a little dated now, but of course that is only natural, but this is a powerful film that rises above merely being a hoodlum based piece. Producer Darryl Zanuck wanted something different for this burgeoning genre, and with the might of Warners revelling in the power of the talkie movie, they all crafted one hell of a picture that enthrals still today as much as it has influenced through the decades. Things most definitely changed with Little Caesar. 8/10
CinemaSerf 7/10 Jun 13, 2022
Edward G. Robinson is great in this early gangster talkie. He is "Rico", a clever and ambitious petty thief who decides it's time to move to the big city. Initially, he goes to work for "Sam Vettori" (Stanley Fields) but not long after, the local Crime Commissioner "McClure" is assassinated. Luckily, his buddy "Joe Massara" (Douglas Fairbanks Jr") is working at that self same club, and manages to warn "Rico" ahead of the subsequent police crackdown. It is now that he starts to smell an opportunity. First his boss, then the bigger boss "Pete Montana" (Ralph Ince) are toppled. Even his pal "Joe" and his gal "Olga" (Glenda Farrell) are not immune from his increasingly megalomanic tendencies. The thing I didn't especially like about this film is the ending - it is just a little too tame, but otherwise this is a solid effort from Mervyn LeRoy that really did bring out the best in Robinson with a quickly paced and enjoyable film.

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