The Hunchback of Notre Dame (1939)

★ 7.3 1h 57m IMDb

Drama Horror Romance

Paris, France, 1482. Frollo, Chief Justice of benevolent King Louis XI, gets infatuated by the beauty of Esmeralda, a young Romani girl. The hunchback Quasimodo, Frollo's protege and bell-ringer of Notre Dame, lives in peace among the bells in the heights of the immense cathedral until he is involved by the twisted magistrate in his malicious plans to free himself from Esmeralda's alleged spell, which he believes to be the devil's work.

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Cast

Charles Laughton as The Hunchback Quasimodo Died 1962 · Scarborough, North Riding of Yorkshire, England, UK Charles Laughton (1 July 1899 – 15 December 1962) was an English-American stage and film actor, director, producer and screenwriter. Laughton was trained in London at the Royal Academy of Dramatic Art...

Cedric Hardwicke as Frollo Died 1964 · Lye, Worcestershire, England, UK Sir Cedric Webster Hardwicke (19 February 1893 – 6 August 1964) was a noted English stage and film actor whose career spanned nearly fifty years. Hardwicke's theatre work included notable performances...

Thomas Mitchell as Clopin Died 1962 · Elizabeth, New Jersey, USA From Wikipedia, the free encyclopedia Thomas Mitchell (July 11, 1892 – December 17, 1962) was an American actor, playwright and screenwriter. Among his most famous roles in a long career are those of...

Maureen O'Hara as Esmeralda Died 2015 · Ranelagh, County Dublin, Ireland Maureen O'Hara (born Maureen FitzSimons, August 17, 1920 - died October 24, 2015) was a native Irish and naturalized American actress and singer, and a natural redhead, who became successful in Hollyw...

Edmond O'Brien as Gringoire Died 1985 · New York City, New York, USA Edmond O'Brien (September 10, 1915 – May 9, 1985) was an Academy Award-winning American film actor who is perhaps best remembered for his role in D.O.A. (1950). His many memorable films included The K...

Director William Dieterle

Cast Charles Laughton, Cedric Hardwicke, Thomas Mitchell, Maureen O'Hara, Edmond O'Brien, Alan Marshal, Walter Hampden, Harry Davenport, Katharine Alexander, George Zucco

John Chard 9/10 Aug 28, 2014

Incredible film-making, bravo for real classics.

What a truly lavish and gorgeous film this is, thematically it pulls the emotions in different directions, and as a story it's as sharp as a tack. Boasting a quite incredible performance from Charles Laughton as the tragic bell ringer Quasimodo (no nomination Academy, are you flipping sure?), and sets that are simply out of this world, this film to me defines classic cinema.

Into the mix we get a radiant Maureen O'Hara as Esmeralda who lights up the screen in every scene she is in, it's a very special performance in view of it being her first lead US turn. However, really the film's triumph lies with its script, a very aware piece of writing encompassing political goings on and the corruption of the church set around the hunchback's tragic love. The make up of Laughton leaves an indelible image when brought into focus with the great detail of the surroundings, and the score is mightily appropriate.

All in all this film cost 2 Million Dollars for RKO Studios, one of their most expensive outlays, but they were rewarded in spades as the film was a monster success and here in the modern day age of cinema the film still stands up as a benchmark for great movie making. 9/10

CinemaSerf 8/10 Jun 22, 2022

The is a wonderfully evocative version of the timeless Victor Hugo story of love, desire, cruelty and brutality in 1490's Paris. Charles Laughton turns in a tour de force performance as the physically and mentally disabled "Quasimodo" who is feared, loathed and ridiculed by the local population. When a wandering gypsy girl "Esmerelda" (quite possibly Maureen O'Hara's best ever performance) is found guilty of murder he rescues her and gives her sanctuary in the high bell tower of Notre Dame cathedral. Here she is easy prey for the already infatuated "Frollo" - superby depicted by Sir Cedric Hardwicke. What follows is the stuff of great literature adapted with adroit skill and sympathy by Sonya Levein (screenplay) and directed by William Dieterie. The use of light and shadow, Alfred Newman's nimble score and an authentic set (recreated in California) make this by far the best rendering of this story on film.