Among the Living (1941)

★ 6.0 1h 9m IMDb

A mentally unstable man, who has been kept in isolation for years, escapes and causes trouble for his identical twin brother.

Among the Living

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Cast

Albert Dekker
Albert Dekker as John Raden / Paul Raden Died 1968 · Brooklyn, New York, USA From Wikipedia, the free encyclopedia Albert Dekker (December 20, 1905 – May 5, 1968) was an American character actor and politician best known for his roles in Dr. Cyclops, The Killers, Kiss Me Dead...
Susan Hayward
Susan Hayward as Millie Pickens Died 1975 · Brooklyn, New York City, New York, USA Susan Hayward (June 30, 1917 – March 14, 1975) was an American actress. After working as a fashion model in New York, Hayward travelled to Hollywood in 1937 when open auditions were held for the lead...
Harry Carey
Harry Carey as Dr. Ben Saunders Died 1947 · The Bronx, New York City, New York, USA Henry DeWitt Carey II (January 16, 1878 - September 21, 1947) was an American actor and one of silent film's earliest superstars, usually cast as a Western hero. One of his best known performances is...
Frances Farmer
Frances Farmer as Elaine Raden Died 1970 · Seattle, Washington, USA Frances Elena Farmer (September 19, 1913 – August 1, 1970) was an American actress of stage and screen. She is perhaps better known for sensationalized and fictional accounts of her life, and especial...
Gordon Jones
Gordon Jones as Bill Oakley Died 1963 · Alden, Iowa, USA From Wikipedia, the free encyclopedia Gordon Wynnivo Jones (April 5, 1911 – June 20, 1963) was an American character actor, a member of John Wayne's informal acting company best known for playing Lou...
Jean Phillips
Jean Phillips as Peggy Nolan Died 1970 · Sioux Falls, South Dakota, USA Jean Phillips was an American actress. She was born in 1914 at Sioux Falls, South Dakota and died in 1970..

Audience Reviews

John Chard 9/10 Nov 08, 2013
For five thousand dollars, I'm not afraid of anything, not even death!

Among the Living is directed by Stuart Heisler and written by Garrett Fort and Lester Cole. It stars Albert Dekker, Susan Hayward, Harry Carey and Frances Farmer. Music is by Gerard Carbonara and cinematography by Theodor Sparkuhl.

Dekker plays identical twins, John and Paul Raden. Paul was believed to have died when he was just 10 years old, in reality he had been traumatised and went insane and was locked up in a secret room at the Raden Mansion. When John returns for his father's funeral, he learns of Paul's existence, more so when Paul escapes and is out and about in Radentown...

1941 saw the release of Citizen Kane, The Maltese Falcon, High Sierra and I Wake Up Screaming. Films that mark an important point in the progression of what would become known as film noir, both thematically and as a visual style. Elsewhere there were some horror movies which would stand the test of time as classic productions, films such as The Wolf Man and The Black Cat are still massively popular today. Down in the lesser known file is Among the Living, a picture that blends both horror and noir for considerable rewards.

It's a slice of Southern Gothic which nods appreciatively to classic horror conventions from the previous decade (eg: the Frankenstein connection is hard to ignore but handled skillfully), and it even has social commentary bursting forth from its seams, but it's with the photographic style where it becomes a must see for film noir enthusiasts.

Heisler (latterly The Glass Key/Storm Warning) and Sparkuhl (also The Glass Key) shoot the picture by way of German Expressionism, where certain scenes and photographic compositions anticipate the noir style before it became the norm. From the feverish and frantic exuberance of a club scene, to a chase scene through menacing shadowed streets that end with murder, there are classy slices of noir before we even get to the crushing finale where Radentown is gripped by its own greed and insanity problems.

Dekker is terrific, managing to give each twin their own identity without relying on costuming for the viewers to tell the difference. His man child portrayal of Paul is heartfelt and perfectly troubling, yet always tasteful. Hayward is socko gorgeous as a vampish nymph who latches onto Paul to feather her own nest, while Farmer provides the sort of solid support she was capable of before her own personal problems would derail her potential career.

The psychological aspects of the pic are simplistic, of course, while viewing it now it's impossible to not get a sense of it being cliché heavy as regards the "twins" axis of plotting, but this is well paced, very well acted and beautifully photographed. If you can track down a decent print of it, then it's a must see for anyone interested in the influences and subsequent trajectory of film noir. 8/10
John Chard 9/10 Nov 14, 2013
For five thousand dollars, I'm not afraid of anything, not even death!

Among the Living is directed by Stuart Heisler and written by Garrett Fort and Lester Cole. It stars Albert Dekker, Susan Hayward, Harry Carey and Frances Farmer. Music is by Gerard Carbonara and cinematography by Theodor Sparkuhl.

Dekker plays identical twins, John and Paul Raden. Paul was believed to have died when he was just 10 years old, in reality he had been traumatised and went insane and was locked up in a secret room at the Raden Mansion. When John returns for his father's funeral, he learns of Paul's existence, more so when Paul escapes and is out and about in Radentown...

1941 saw the release of Citizen Kane, The Maltese Falcon, High Sierra and I Wake Up Screaming. Films that mark an important point in the progression of what would become known as film noir, both thematically and as a visual style. Elsewhere there were some horror movies which would stand the test of time as classic productions, films such as The Wolf Man and The Black Cat are still massively popular today. Down in the lesser known file is Among the Living, a picture that blends both horror and noir for considerable rewards.

It's a slice of Southern Gothic which nods appreciatively to classic horror conventions from the previous decade (eg: the Frankenstein connection is hard to ignore but handled skillfully), and it even has social commentary bursting forth from its seams, but it's with the photographic style where it becomes a must see for film noir enthusiasts.

Heisler (latterly The Glass Key/Storm Warning) and Sparkuhl (also The Glass Key) shoot the picture by way of German Expressionism, where certain scenes and photographic compositions anticipate the noir style before it became the norm. From the feverish and frantic exuberance of a club scene, to a chase scene through menacing shadowed streets that end with murder, there are classy slices of noir before we even get to the crushing finale where Radentown is gripped by its own greed and insanity problems.

Dekker is terrific, managing to give each twin their own identity without relying on costuming for the viewers to tell the difference. His man child portrayal of Paul is heartfelt and perfectly troubling, yet always tasteful. Hayward is socko gorgeous as a vampish nymph who latches onto Paul to feather her own nest, while Farmer provides the sort of solid support she was capable of before her own personal problems would derail her potential career.

The psychological aspects of the pic are simplistic, of course, while viewing it now it's impossible to not get a sense of it being cliché heavy as regards the "twins" axis of plotting, but this is well paced, very well acted and beautifully photographed. If you can track down a decent print of it, then it's a must see for anyone interested in the influences and subsequent trajectory of film noir. 8/10

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